The home and studio of the Symbolist painter Gustave Moreau in the Nouvelle Athènes district. It houses his works – hundreds of paintings and drawings – displayed in accordance with the artist’s own curatorial vision. On the first floor is the apartment designed by Gustave Moreau, featuring family mementos; on the second and third floors, separated by an elegant spiral staircase, are the studios designed for large-scale works.

Built at the crossroads of the 19th and 20th centuries, this religious edifice was intended to remind workers of their factory, so that they could feel at home in their natural environment. A must-see for its nave and impressive metal framework.

This Cubist-inspired sculpture by Ossip Zadkine (1890-1967) holds a boat in its arms, recalling both the Navire des Nautes of Lutetia, symbol of Paris, and the artist's ancestry as heir to a family of wooden barge builders.

This statue, created by the sculptor Jean Cardot, like the statue of General de Gaulle at the other end of Winston Churchill Avenue, pays tribute to the British statesman and great military leader. Shown walking, it symbolises determination and resilience.

Almost as an extension of Rue des Thermopyles, another bucolic little street with small houses flanked by small gardens. At number 19, an astonishing portal by Hungarian-born sculptor Alexandre Mezei.

Designed by Marcel Zielinski, this modernist villa housed the studio of painter Nicolas de Staël, a key figure on the post-war French art scene. His studio was eight meters high.

Opened in 1926 under the name “cité Seurat”, this thoroughfare was conceived as an artists' housing estate, bringing together several studios or townhouses for different artists. At no. 4, the house of painter Jean Lurçat, and at no. 7 bis, the studio home of sculptor Chana Orloff.

This “monument dedicated by the Republic to the glory of French art” is distinguished by its magnificent glass dome and its 240-metre-long nave. Fortunately, Le Corbusier's wish to demolish it in order to build the 20th-century art museum desired by André Malraux was not fulfilled due to the architect's death.

Convinced that art is a vehicle for emancipation and better living together, the Pernod Ricard Foundation aims to promote contemporary artistic creation in all its forms and make it accessible to all, free of charge. She actively contributes to the development of the arts scene in France.